To get a new impulse to my work, I needed distance to the abstract acrylic painting which I practiced in recent years. With this series of works I went back to the roots of my inspiration and to the roots of me being an creating artist.
The roots of my ideas
I´ve always been curious about the unpredictable and unknown - interactions, reactions, the dynamic within and the traces that are left. It is an inexaustible source of inspiration.
The roots of my visualisation
The first materials I used to create works that I labeled "art" were paper and ink. I resurrected these materials and fused it with the controlled fortuity and decisive randomness of my abstract works.
The roots of existence
The four elements are represented by colours:
Blue and Red representing AIR/Space, meaning the stardust we all are created of.
Blue and Green representing WATER, where life on earth started.
Black and White representing SOIL, which feeds life on earth.
Yellow representing FIRE, the energy for the initial life creating impact.
The roots of appearance
I blew liquid ink over the paper. White space is left out. I consciously placed the initial portion of liquid, controlled the direction and speed of flow but left most of the "creating" to chance.
The grained structure of the organic forms repeatedly appear in nature. Maybe that is the reason why the works instantly address everyone, either through fascination or denial.
For all the fashion-conscious people out there this must seem to come right out of an art lovers dream:
how would it be to be dressed up in art while going out?
Actually my ink art is looking great as a smooth scarf!
My recent illustration series named 'Hausberge' is finished.
Hausberg is the German word for a local mountain.
In December 2014 I moved to the countryside south of Munich, Bavaria, Germany. It is a beautiful scenery here, close to the place where Barack Obama recently had a Bavarian breakfast during the G7 Summit 2015.
In the last six months I have been eagerly breathing the beauty of the mountains, absorbing nature during the change of seasons and drawing my way through the small villages, viewpoints and sites of this area to explore my new home.
By now the results of this effort is a series of 10 beautiful motives of Upper Bavarians nature, culture and distinctive views.
All motives have been illustrated four times. In addition of the four original illustrations, all motives are available as a set of postcards in a limited edition of 500.
You can buy all works as originals or postcard set on my booth with the number 82 on the #Kräuterzauber festival in #BadHeilbrunn on Saturday, 20th June 10:00 am to 20:00 pm.
Tölzer Rast, ink and watercolors on paper, 20 x 15 cm, Hausberge series motive 9/10, Rainer Schmitten 2015
Isartal, ink and watercolors on paper, 20 x 15 cm, Hausberge series motive 10/10, Rainer Schmitten 2015
St. Georg Bichl, ink and watercolors on paper, 20 x 15 cm, Hausberge series motive 5/10, Rainer Schmitten 2015
Frühlingswald, ink and watercolors on paper, 20 x 15 cm, Hausberge series motive 6/10, Rainer Schmitten 2015
Rottach Egern, ink and watercolors on paper, 20 x 15 cm, Hausberge series motive 7/10, Rainer Schmitten 2015
Zwei Höfe, ink and watercolors on paper, 20 x 15 cm, Hausberge series motive 8/10, Rainer Schmitten 2015
St. Johannisrain, ink and watercolors on paper, 20 x 15 cm, Hausberge series motive 4/10, Rainer Schmitten 2015
Winterbäume, ink and watercolors on paper, 20 x 15 cm, Hausberge series motive 3/10, Rainer Schmitten 2015
Weitsicht, ink and watercolors on paper, 20 x 15 cm, Hausberge series motive 1/10, Rainer Schmitten 2015
Winterwald, ink and watercolors on paper, 20 x 15 cm, Hausberge series motive 2/10, Rainer Schmitten 2015
Bad Heilbrunn is a thriving sanitarium in southern Bavaria, Germany, and proud of its herb-related economy, culture and it's main tourist attraction (beneath the beautiful scenery), a huge herbal park.
This year, for the first time, the guest office is organizing a one day art, food and herbal festival with market on Saturday 20th June 2015 from 10:00 to 20:00 named "Kräuterzauber" in the herbal park. Over 80 booths and stages will be there, offering food, arts, handcrafts, music, acrobats and performing artists.
Illustration from the series 'Hausberge', water colour and ink on paper. Available on 'Kräuterzauber' festival, booth #82, 20th June 2015, 10 am to 20 pm, in Bad Heilbrunn, Bavaria, Germany
I will be on booth #82, offering original water colour illustrations from a series called "Hausberge", inspired by the beautiful landscapes around Bad Heilbrunn. Only on this occasion you get these works with a very special market discount.
As an extra I will offer a limited number of quick portraits, drawn on location.
So be sure to get to booth #82 and use your chance to meet me there and purchase the works that I've produced since I moved here!
Just found out that my last post was five months ago. Puh, how fast time is passing!
A lot did happen in these months, good things and not so good things. I am greatful for the two months off from work which I can spend with my family and for private projects.
Finally enough time for V. and me to finish the most monstrous and extremely long time painting project ever!
No, true, a real ordeal.
Check out this video to learn more about the working process:
Here´s the story.
During the design studies at university I did a little project to learn more about chromatics. Every student should create a smooth colour gradient in ten steps from one colour to another, painted with guache on square paper pieces. Somehow like the colour charts from Pantone. Well, the colours should be mixed by hand using the primary colours of the CMYK system (cyan, magenta, yellow and black). Sounds easy? But it wasn´t! Mixing colours manually, adding tiny bits of the next colour then painting a square, add a bit more of the next colour and paint the next sqare, and so on and so on. By chance, there were enough squares to form a smooth gradient.
That´s not the way a perfectionist like me likes it. There must be a better way! And there was: the way, computer graphic software and inkjet colour printers do it. The primary colours are measured and mixed using the colour values given by the graphic software. That is how it has to be done!
Once I should do a painting in this technique, I thought. Standing close to it, all you´ll see is pixel. The motive will only show when you are far, far away. A motive, disguised by pixel. That sounds exciting, doesn´t it?
Years went by...
Then, in 2006, I simply wanted to paint a really, really big canvas, I thought it was time to do so. So I did. But what should I put up there? And there it was again, I remembered this little project from university and I remembered my thrilling idea of painting a picture in CMYK colour mix mode...
So I looked out for a great motive and found it. I went to the art supply shop of my choice to get some acrylic paint in primary system colours, and found it. Highest quality, of course and - hey, even better - reduced price. Then the question came up about how to measure very small amounts of paint - by the amount of liquid or by weight? I looked for a cheap solution and found it: an ordinary syringe plus needle. The shopman in the pharmacy looked at me as if I broke out of mental home when I bought 25 syringes and needles ("the biggest you have, please") for the reason of "mixing paint". Chastening results. Have you ever tried to pull some viscous liquid like honey through an injection needle? Well, you don´t need to try, I did. It takes ages but it works. Anyway, I could start to paint.
This is how it looked:
The first colours are done.
Actually it took several days of work until this stage.
But wait! There was a little preparatory work to do. To convert CMYK colour values into amounts of liquid paint is a pain but sitting at the computer and measuring these values pixel by pixel out of an image in an graphic program and then writing all down with the line item specification is even worse. No joke, this is how it was done. Long live the command "Select/Color Range" in Photoshop!
I didn´t calculate in advance how much paint will be needed for a painting of 200 x 170 cm. After a few months I ended up with clotted paints and a dried white so I decided to get some new bottles. Haha, sold out, and better: the product had been replaced by a new product line with - of course - better qualities but different characteristics. That was the reason for the price reduction. To keep it short: to have consistent colours I had to start from scratch.
This time I was prepared and knew how much paint I´d need, and it was a lot of paint!
In these days I met my girlfriend V. She saw the canvas, I told her about the project, the measuring of colour values, the calculation, the coordinate system, the measuring of the paint, the painting. She just asked if I knew how many squares this are and how much work this means. I knew it very well: 1360.
Years went by...
I moved twice, first closer to her, then together with her. We now had 2008 and a great new appartment with a huge, empty wall and a really, really big canvas that looked something like this:
This are about all colours that fill more than two sqares. Sick.
To speed up the production, V. agreed to assist. As an engineer she did the calculations. I wanted her to build a machine that measures and mixes the paint. I´m a dreamer, she didn´t. So we still struggled with the syringes and needles. And there it was again, I remembered the alternative way to measure the paint and I remembered it was measuring by weight...
So I bought a special accuracy weighing machine usually used in laboratories (ebay and cheap chinese production were my friends). This little device really was an eye opener! As the syringes weren´t very precise and uncomfortable to use, this little device was accurate and the measuring of paint went off hands easier and faster than ever! But, as before, to get an consistent result we had to repaint the already finished colours. So it all started again from scratch. The big difference was this time: measuring the paint wasn´t a torture anymore.
Years went by...
In 2011 we moved to a new appartment. We now had a lot more space and even more big and empty walls and a really, really big canvas that looked like this:
We got married and will have a baby. So the painting needed to be finished soon. If we manage to get it done?
From now on nearly every pixel is painted in an uniqe colour.
Nope! In 2012 our baby is born.We hoped the painting was finished until he can walk. It wasn´t.
The stickers mark the coordinates for faster navigation and obviously false colours
Baby can crawl. Some friends came over for a dinner. We were discussing about the project. One of them asked why I didn´t have had it simply printed on canvas. Even the impreciseness on the pixel edges could have been simulated by a Photoshop filter. True. Next time.
We are getting there. More and more parts of the motive are showing.
Baby can walk now. We had to build a baby barrier.
Looks like it´s nearly finished but there are
still more than 55 colours missing!
The black pixel have been overpainted
with a CMYK mixed "black" and some more
wrong pixel have been overpainted.
Finished!
It´s simply phantastic how the motive is disguised by pixel. Everybody who happens to see this painting doesn´t realise the motive. But as soon as they look through the camera of their smartphones which actually scales the painting down to very small size, they detect the photo. Actually it is a photo with 1.3 Kp (Kilo pixel). Printed by hand in full colours.
Here are some facts:
It took 7 years (2006 to 2013) to finish it, including two start overs caused by no more available colors and a changed measuring technique.
The canvas is 200x170 cm big.
Each pixel is 5x5 cm big.
The motive is 40x34 pixel which sums up to 1360 pixel.
More than 502 shades of beige, brown and grey have been mixed by hand.
During the production of the painting I moved three times, met my girlfriend, married her and we had a baby.
The baby was over a year old when the painting has been finished.
I`ll probably never do a project like this again.
Never say never.
The first parts are ready for mounting. Here you can see a collection of planets (the big yellow one is the sun) and the first finished sub system (jupiter with his four biggest moons). Weight adjustment works great, and the finished mobile will look and move impressive!
It´s been a while since my last post. It seems I´m not as digital as I thought.
I just came back from an inspiring holiday, which cleared my mind and opened room for new thoughts and ideas. So I just started a new project, leaving the unfinished ones on "standby".
In a tiny, enchanted shop a mobile of our solar system cought my eye. It was a big and impressive one with the Sun in the center and all nine Planets circling around it. It would look very good in our baby´s future child room and is a great object for learning with fun. It would have cost about 90 Euros. This is it, take a look. So I decided as a product designer and a skilled craftsman I´ll build one by myself.
I got all the material needed and spent about 85 Euros for it... what a good deal! The material could have been cheaper on the internet somewhere, but I like the idea of supporting the local art and craft shops.
On the other hand: both mobiles are not compareable. My mobile will have the moons circle around the planets (not all of them but the biggest ones) which means 20 Objects. The ready made mobile doesn´t show moons and for that reason it is built up of only half the number of objects.
For those of you, who have fun in exhuming their handicrafts skills, here is the material list:
styrofoam globes (as Planets),
polyamide nylon thread (for invisible hanging),
wallpaper paste, newspaper and paint (for the planet surfaces),
or printed planet surfaces if you find them somewhere (I prefere to paint the planets),
stable and translucent paper or foil (for Saturns rings),
glass beads (for weight adjustment),
round wooden timbers and aluminium pipe (for the hangin construction);
So, here we go!
First step was to cover the Planets and moons with paper maché to create a grounding of paper to paint on.
Haven´t done this for ages and it reminded me of handicraft, wood- and metalwork in happy school days... Though it took a while to cover all 20 globes it was great fun!
Now working on the painting. It is great what pictures of the different planets can be found on the web. For fabulous information about our solar system go to http://solarsystem.nasa.gov
I printed a coloured sample for every planet and every bigger moon and paint the globes manually. That will take a while.
